Carnegie Hall’s architect William Burnett Tuthill, an amateur cellist, studied European concert halls famous for their acoustics, and consulted with architect Dankmar Adler, of the Chicago firm Adler and Sullivan, a noted acoustical authority. Drawing on his findings (and in some cases his own intuition), he eliminated common theatrical features like heavy curtains, frescoed walls, and chandeliers that could impair good sound distribution. Carnegie Hall’s smooth interior, elliptical shape, slightly extended stage, and domed ceiling help project soft and loud tones alike to any location in the hall with equal clarity and richness.
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